and chemical processing transform a real-world subject into an intentional piece of artifice
and shifting creative philosophies binding the professional magazine photography community together at the close of the decade
unpredictable Diana plastic camera (celebrated for its raw
how it splits between surfaces
35mm Photography, Spring 1978. Eddie Adams, Ted Cowell, Minor White, et al. Camera Magazine and chemical processing transform aEntire issue, VG with moderate exterior wear, cover crimps, and one leaf with a corner crease. Features: Eddie Adams profile; self portraits by Carol DiGrappa, Suzanne Opton, and Linda Benedict Jones; street photography by Ted Cowell; photos of Minor White by Abe Frajndlich; et al. Summary: 35mm Photography, Spring 1978, published during the peak of the analog SLR boom, is a standout issue of the dynamic technical and artistic magazine. It serves as a