The Language of Tonality in the music of Bach to Bruckner spiritual leads to the possibility of

leads to the possibility of deepening into spiritual perception the scientific thinking that arose from scholasticism

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The Language of Tonality in the music of Bach to Bruckner spiritual leads to the possibility ofHermann Beckh (author) Translated by Alan Stott Hermann BECKH The Language of Tonality Why are musical works named by their keys: "Mass in B minor", "Symphony in D major", and so on? Can certain things be said best, or even "only", in certain keys? Can we hear the essence of a key? Are "subjective" and "objective" relevant, or is there a higher synthesis? How could the common chord express so much musical variety for over three centuries, and for some