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The pair occupy opposite axes of the composition
a palette that heightens drama
The result is both a document of historical natural science and a composition of considerable graphic power — the lobster's deep scarlet set against a clean
confident mark-making and a fashion-informed sense of pattern that turns every square centimetre of the canvas into something worth looking at
Summit of Mount Fuji 1928 by Hiroshi Yoshida Size:S - 29.7 x 42cm (A3) The pair occupy opposite axesSummit of Mount Fuji 1928 places the viewer at altitude close enough to the peak that the world below disappears into cloud and haze. Yoshida strips the composition back to essentials: volcanic rock, layered cloud, and the vast open sky. The palette is spare, moving through cool greys and muted blues with accents of russet and ochre in the exposed rock face. There is a quality of isolation at the top of the world here, and Yoshida captures it without