Nebraska Photographic Documentary Project, 1975-1977 by Robert Starck and Lynne Dance. Camera Magazine and enthusiasts to trace the

and enthusiasts to trace the origins of Gibson’s aesthetic — from documentary realism toward a more personal

By placing Gail Buckland’s historical defense of Fox Talbot alongside Ben Lifson’s sharp critique of Garry Winogrand’s modern realism

and waitresses

and Whoopi Goldberg to Queen Elizabeth II and Barack Obama

Nebraska Photographic Documentary Project, 1975-1977 by Robert Starck and Lynne Dance. Camera Magazine and enthusiasts to trace theUniversity of Nebraska, 1977. Introductions by Arthur Rothstein and Wright Morris. Wraps, only edition, with custom made 4 mil polyester jacket, very good plus with crimp bottom right front corner, otherwise fine. Reproduces 110 black and white photographs, most one to a page, by Robert Starck and Lynne Dance that were exhibited at the Sheldon Memorial Art Gallery in March 1977, taken from 1975 to 1977 during travels all over Nebraska, documenting the