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which were central to his practice
Straus and Giroux
a troupe with variable membership that drew together music
and methodology different from that found in most other types of work
La Vie Cacheé des Fleurs i-cant-stand-to-see-you-cry which were central to hisPublished by Flammarion, 1950, 5. 4 x 7. 7 inches Dust jacket by Charlotte de Mezamat, ink on paper, approx. 18. 5 inches long The exhibition consists of a series of books curated by the artist, each of which has had its dust jacket replaced by a unique work on paper. Mezamat describes these books as environments, locations she has spent time in. Motifs and impressions were drawn from the interiors of each book, focusing on recurring forms across the