Oost-Indische kers by Julie de Graag June Picks Retrodrome's Bauhaus-inflected composition gives Snowdonia's

Retrodrome's Bauhaus-inflected composition gives Snowdonia's rugged topography the same graphic weight you'd find in the great railway and national park posters of the 1930s and 1940s: stripped back

almost monumental quality

the clean linework and typographic precision are rendered with total clarity

forested depths

Oost-Indische kers by Julie de Graag June Picks Retrodrome's Bauhaus-inflected composition gives Snowdonia'sOost Indische kers (Nasturtium) shows Julie de Graag working at the intersection of close botanical study and pure graphic design. The round, shield like leaves are arranged with deliberate asymmetry, their overlapping forms creating a layered rhythm across the picture plane. Engraved on end grain wood, the lines achieve a fineness rarely possible in the medium stems, veins, and petal edges rendered with the control of an illustrator and the boldness