Mame Pathology But if you are a

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Rick Steves

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Mame Pathology But if you are aAmazon. com This was Jerry Herman's 1966 follow up to his history making Hello, Dolly!, and just as the latter had generously borrowed Thornton Wilder's The Matchmaker as its source, this one used Lawrence & Lee's Auntie Mame almost verbatim. Like Dolly, this produced hits Louis Armstrong recorded the title song and standards, including a Christmas tune, and was Herman's last Broadway sensation until La Cage Aux Folles more than a decade later. Other