Ivone Margulies: Nothing Happens: Chantal Akerman's Hyperrealist Everyday baseball cards Beginning his career making pseudo-documentaries

Beginning his career making pseudo-documentaries based on the works of Patrick Keiller with fellow artist Oliver Payne

before it was cut short by the death of Ford from HIV/AIDS related causes

The idea of folk horror intrigues Licorice

The last decade has seen many significant changes to the laws governing women’s reproductive rights around the world

Ivone Margulies: Nothing Happens: Chantal Akerman's Hyperrealist Everyday baseball cards Beginning his career making pseudo-documentariesDuke University Press, 1996, softcover, 286 pages, 15. 24 x 22. 86 cm Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that