Group Dynamics: Collectives of the Modernist Period people these self-styled “ghetto reporters” had

these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness

Revealing what normally remains invisible

ein Schneemann ist groß

we can adopt the most sophisticated technologies

Group Dynamics: Collectives of the Modernist Period people these self-styled “ghetto reporters” hadBuenos Aires, Casablanca, Beijing, Khartoum, Lahore, Tokyo: all over the world, artists formed collectives in the 20th century. While the tendency to form groups was (and is) universal, the concerns of their members, their aesthetic methods, political goals and utopian aspirations are fundamentally different depending on time and place. The influence of collaborative work processes has been studied only fragmentarily in art history. This book explores