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captivating
the subjects of his pictures appear as self-aware participants in this process of interaction—engaging in a global exchange of social codes and self-images
and narrative technique
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The Tenant - Lucy McKenzie dance captivatingThe Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzies work, pornography, and special effects. The title refers to the way the artist moves through different periods and aesthetic spaces, appropriating their codes in order to construct new visual fictions. The book is infused with post #MeToo feminist thinking, alternative uses of biography, reflections on the art world,
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