Life(s) of webs: arachnophobias, arachnophilias, and other stories visual theory creative use is made of

creative use is made of transparent paper: for example in the title and subtitle

knowledge and aesthetics that underlies contemporary digital visual regime

Happy Apocalypse plunges us into the heart of controversies that emerged in the eighteenth and nineteenth centuries around factories

Goblinhood: Goblin as a Mode presents us with a series of essays and poems that playfully

Life(s) of webs: arachnophobias, arachnophilias, and other stories visual theory creative use is made ofThe book Toms Saraceno. Life(s) of webs: arachnophobias, arachnophilias, and other stories is published in conjunction with the permanent installation of the same title by Toms Saraceno in the Church of the Madonna del Carmine, located in the National Museum of Matera. It features essays discussing the role of spider webs in different cultures from an inter species perspective and a section with color images dedicated to the work in Matera. From